This week, design doesn’t just sit on the screen — it responds. Across every format, we’re seeing a push toward work that moves, adapts, and immerses. Whether it’s typography that reacts to interaction, brand systems that unfold in rhythm, or tools designed for better collaboration, the theme is clear: design is growing more dimensional, more personal, and more alive.

And it’s not just the work that’s shifting—agencies are too. With a wave of rebrands and repositioning, studios are refining what it means to stay relevant in a constantly evolving landscape. Meanwhile, questions about creative identity, collaboration, and career direction are getting louder—and designers are finally making space to answer them.

From scalable systems to expressive side projects, this issue is about pushing beyond the surface and designing for how things feel. Let’s get into it.

Design with the real Liquid Glass in Play.

No simulations or reference files—use the real materials that tap directly into Apple’s APIs.

See how your app will look, feel, and function ahead the iOS 26 launch later this year.

After Hours Captures the Chaos and Magic of Late-Night Creativity

The branding for After Hours doesn’t just look cool—it feels like the inside of a designer’s brain at 2 a.m. Created with raw textures, kinetic type, and layered patterns, the identity speaks to the restless, always-creating spirit of the design world after dark. It’s expressive, unpredictable, and intentionally unfinished—just like the best ideas.

What If Your Typography Responded Like Nature?

In “Synthetic Nature,” designer Shuxuan (Eleanor) Yang imagines typography as something alive—moving with breath, fading with time, and echoing your presence. It’s not just a visual system, but a meditation on how digital design can feel tactile, quiet, and organic. It’s a thoughtful reminder that interactivity doesn’t have to shout to be powerful.

This Street Food Brand Channels Osaka After Dark

The Colour Club’s branding for Tsukiyo turns a Sydney food stall into a moody, moonlit scene straight out of Osaka’s Dotonbori district. Fluid typography, soft gradients, and a luminous identity system bring Japanese night markets to life without leaning on clichés. It’s proof that atmosphere can be designed—and it starts with a bold sense of place.

Pearson’s Rebrand Asks: What Does Learning Look Like Now?

Landor’s rebrand for Pearson drops the dusty textbook image in favor of a bold, flexible system built for lifelong learners. The new look reflects a company evolving from educational publisher to a more dynamic, human-centered learning brand. It’s a case study in how clarity, warmth, and purpose can transform legacy institutions.

Why Every Design Agency Seems to Be Rebranding Right Now

Rebrands are booming—and not just for clients. DesignWeek explores why agencies are redefining themselves, driven by shifting expectations, brand fatigue, and the rise of strategic design. More than a visual refresh, these changes reflect deeper positioning shifts as studios compete to stay sharp, relevant, and future-ready.

Inside the Real Workflows Behind Great Agency Collaboration

Figma’s latest In Good Company drop explores how top agencies and freelancers navigate the messy middle—collaboration. With stories from real teams, the post highlights how shared files, async tools, and trust-first cultures are reshaping creative partnerships. For anyone building across time zones and teams, it’s a must-read on staying in sync without losing spark.